The Critical Reader
Introduction
This is the first appearance of a column on language usage that I hope to contribute to TVR every other month from now on�perhaps even more often, if time and inspiration coincide. For readers who want some indication of what they can expect in this column, I�ll try to provide that in these introductory paragraphs. As those of you who have read my earlier TVR pieces know, my writings often straddle the domains of linguistics and politics, and some readers of TVR may see me as seeking to inculcate my own political views under the guise of writing about language, especially since my views are not those that generally prevail among American academics and intellectuals.
Readers of earlier contributions of mine to TVR may recall that that such seemingly abstract and academic questions as whether the Eskimos have more words for snow- and ice-related phenomena than those who live in the temperate zone, and whether language is a �living, growing thing,� and whether the Oxford English Dictionary is an authority on usage questions, quickly turn out to have political and social implications that take one far from the scholar�s study or the word-fancier�s playpen. Similarly, discussions of �prescriptivism� versus �descriptivism� hardly have a chance to shift out of first gear before the air is thick with charges of racism and elitism. Some readers of TVR may be dismayed by this connection, and wish to see politics ignored (especially when the political implications are ones they find uncongenial), but the price to be paid for turning away from the sometimes ugly facts is to be condemned to triviality and marginality�a price I hope few readers of TVR are willing to pay. After all, what the close connection between language and politics means is that language�what TVR is all about�is not superficial, not a game, not a toy, but a serious and central aspect of human life.
Half a century after George Orwell�s classic essay, �Politics and the English Language,� most readers should be familiar with the idea that politics has an effect on the way we use words, and that words, in turn, have an effect on politics. But it may not be clear even to relatively sophisticated readers and amateurs of language that politics, broadly conceived, is today not just one more force at work in shaping our language, but by far the strongest such force�so much so that it is practically impossible to discuss any aspect of language usage without finding oneself at least hip-deep in politics. It is not the Great Vowel Shift or the conquest by the Norman French of the native Britons that shapes the English language today, but the public-relations consultants, the �spin doctors,� the institutional �spokespersons,� the salesmen of ideas, and all the other verbal warriors seeking to have their way with us by twisting language to their own advantage.
The potential problem for this column is aggravated by the fact�as I see it�that the manipulation of language for political ends is not randomly distributed along the political spectrum; it seems to me that such manipulation is practised much more by the literary, the intellectual, and the academic than by others�and they have a culture and a politics that tends to clump close to one end of that spectrum. So my treatments of the phenomenon may seem to lean to one side, and be open to charges of partisanship and unfairness. In response to such anticipated objections, I can only promise to try to be as fair as my own limitations permit, to consider carefully whatever responses my columns bring me, and to reply to my critics either publicly or privately, as they wish and as space permits.
The Critical Reader: the meaning of �Postmodernism� in an Age of Terrorism
Since the early years of the twentieth century, the intellectual world of the West has seen the emergence and to some extent the triumph of a school of thought with many names: Postmodernism, Relativism, Anti-foundationalism, anti-Platonism, anti-metaphysicalism, anti-essentialism, anti-dualism, pragmatism, and yet more. No single name is universally accepted because many members of the school believe that their particular variants of the school�s common core of thought differ enough from the others to require their own names; some may even deny that there is any �school� for which a blanket name would be appropriate. But it is clear to most observers that there is much in common among the strains of thought bearing any one of those names; that what they have in common is important enough to make them a school; and that the school needs a name. The name most often used, and the one I will adopt here, is Postmodernism (PM).
The one point that seems central to PM in all its variants is a conviction that there can be no appeal to �objective truth�; everything we think, postmodernists tell us, is the product of our self-interest, our cultural prejudices, our wish to prevail. And this view seems to lead inexorably into the even stranger notion that there is no such thing as objective reality: not only can we know nothing, really, but there is nothing, really, for us to know. Even the hard sciences and mathematics have been called simply stories that we like to tell ourselves, and stories quite possibly very different from those that other cultures elsewhere on Earth, or at least those of alien creatures in distant galaxies, tell themselves with equal justification. And this philosophical position, in itself so abstract as to seem to have no bearing whatever on ordinary life, has in fact had some very curious effects on Western politics and cultural life, especially since the attack of September 11, 2001.
Since the Postmodernists have not elected a pope, there is no single figure among them whose views and formulations can fairly be taken as authoritative for all of them, but there are a few who are widely regarded as leaders or at least central figures, and I take two of these�Stanley Fish and Richard Rorty�as representative enough to count as spokesmen for PM. Both of them have expressed their views clearly and concisely, so it will not be necessary to paraphrase them; their own words can be cited, or quoted, and at sufficient length to guard against charges of �quoting out of context.� This is good luck, because if their statements were to be paraphrased, the process of paraphrasing might well make them sound more cogent than they really are. I hope to discuss Rorty�s views in a future column; here I will deal with a recent and widely-discussed New York Times Op-Ed piece by Fish, published October 15, 2001. Its text is to be found at http://www.nytimes.com/2001/10/15/opinion/15FISH.html . I urge you to read it�and if possible, print it out so as to have it in front of you�and then return here to consider my critique of it.
I find in Fish�s text the following main assertions:
My comments:
There is a great deal more to say about PM, and I hope to say some of it in later pieces, but one point, I think, should be clear already. Either PM is merely the trivial observation that people disagree, as Fish seems to say, in which case it is too trivial to mention, or it is something much more ominous. I take the latter view. Fish, writing in the days just after the September 11 attack, was trying hard to present PM as a soldier in the war against terrorism, and an ally of the West in the clash of civilizations; it is telling that in order to do so, he had to utterly trivialize his own philosophy.
But before Fish stuffed PM into uniform and made it salute, it made very different noises�and is still making them when not on display in the Op Ed page of the New York Times , but talking to its own constituency. When among friends, PM has no higher praise to award a book or performer or objet d�art than to call it subversive . It need not be specified what it is subversive of; everything in Western civilization is to be subverted. In normal speech, subvert is a transitive verb; the essence of PM is that it has turned that verb into an intransitive one.